Tony Horwitz: The Mammy DC Almost HadRoundup: Historians' Take
tags: Washington D.C., The Atlantic, memorials, Tony Horwitz, National Mall
Tony Horwitz is a Pulitzer-prize winning journalist who has written for The Wall Street Journal and The New Yorker. His books include Midnight Rising: John Brown and the Raid that Sparked the Civil War and Confederates in the Attic: Dispatches from the Unfinished Civil War.
If I say the word "Mammy," you're likely to conjure up the character from Gone With the Wind. Or, you may think of Aunt Jemima, in her trademark kerchief, beaming from boxes of pancake mix.
What you probably won't picture is a massive slave woman, hewn from stone, cradling a white child atop a plinth in the nation's capital. Yet in 1923, the U.S. Senate authorized such a statue, "in memory of the faithful slave mammies of the South."
As a Southern Congressman stated in support of the monument: "The traveler, as he passes by, will recall that epoch of southern civilization" when "fidelity and loyalty" prevailed. "No class of any race of people held in bondage could be found anywhere who lived more free from care or distress."
Today, it seems incredible that Congress sanctioned a monument to so-called Faithful Slaves -- just blocks from the Lincoln Memorial, which had been dedicated only months earlier. But the monument to the Great Emancipator masked the nation's retreat from the "new birth of freedom" Lincoln had called for at Gettysburg, three score and ten years before. By 1923, Jim Crow laws, rampant lynching, and economic peonage had effectively reenslaved blacks in the South. Blacks who migrated north during and after World War One were greeted by the worst race riots in the nation's history. In the capital, Virginia-born President Woodrow Wilson had recently segregated federal facilities and screened Birth of a Nation at the White House. The overtly racist movie exalted the Ku Klux Klan, which peaked at two million members in the 1920s and won control of mayors' office and state legislatures across the land.
"We have this image of the 1920s as the Jazz Age, the birth of the modern, a world of skyscrapers and flappers," says David Blight, a Yale historian and leading scholar of race in the late 19th and early 20th century. "But white supremacy had few better moments in our history."...
comments powered by Disqus
- The Exhibit Lauded Freedom of Expression. It Was Silenced.
- What 1860 and 1968 can teach America about the 2020 presidential election
- Nevada Sen. Cortez Masto introduces bill to honor women’s suffrage with series of new quarters
- Hillary and Chelsea Clinton are writing their first book together about 'gutsy' women through history
- The Hotel Historian Is at Your Service
- 2 New Podcast Episodes Discuss How the Republican Party became the Party of Trump and CIA "Black Sites"
- ‘Karl Marx: Philosophy and Revolution’ Review: On the Marxist Question
- Tony Platt Reviews Simon Schama’s The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age
- Professor Breaks Down U.S. Racism, Trump’s ‘Ugliness’ In 3 Powerful Minutes
- ‘Charles I's Killers in America’ Review: Regicides on the Run